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Concert photography glossary
In concert photography the pit is the gap between the barrier and the stage, a photo pass is the accreditation that lets you into it, “three songs, no flash” is the standard limit on that access, and the promoter is usually the person who grants it.
The vocabulary of live music is mostly borrowed from production and touring. Here is what the terms mean when they appear in an accreditation email.
Access and accreditation
- Accreditation
- Formal permission to photograph a show, granted before the night by whoever controls access. Not a payment and not a ticket — it is permission, usually with conditions attached.
- Photo pass
- The physical or listed form of accreditation. Often a sticker or laminate collected at the box office on the night, sometimes just your name on a list.
- Photo list
- The list of accredited photographers for a given show, held by the promoter or publicist. "Is there a photo list for this one?" is the standard way of asking whether accreditation exists.
- AAA
- "Access All Areas". A pass level that includes backstage and production areas. Photographers are almost never given one; a photo pass is normally pit-and-house only.
- Guest list / plus one
- Free entry without photo permission. Being on the guest list is not accreditation — it gets you in the room, not into the pit.
- Photo release
- A document setting out what you may do with the images. Read it. Some are routine; some assign your copyright or restrict usage to a single outlet.
- Rider
- The contract schedule setting out an artist's requirements for a show. Photo conditions — the three-song rule, flash, release requirements — usually originate here.
People
- Promoter
- The party who books the room, takes the financial risk and sells the tickets. For most club shows, the person who decides whether you get in.
- Publicist / press officer
- Manages media access, usually for a label or a tour. The route for large rooms and festivals.
- Tour manager
- Runs the touring party's day. Occasionally the final word on the night itself, particularly on stage access.
- Production manager
- Runs the technical build in the venue. Not who you ask for a pass, but the person whose crew you must not obstruct.
- Booker
- Programmes a venue's calendar. At venues that promote their own nights, the booker and the promoter are the same person.
The room
- Pit
- The gap between the stage and the front barrier. Where accredited photographers work, when one exists.
- Barrier
- The crowd barrier defining the front of the audience. In small Paris clubs there frequently is not one.
- House
- The audience area. "From the house" means shooting from among the crowd rather than the pit.
- FOH
- "Front of House" — the sound and lighting desk, usually a raised island in the middle of the room. Often the best unobstructed sightline in the venue, and usually off limits without asking.
- Load-in / soundcheck
- The afternoon build and rehearsal. Access is occasionally offered and is a good opportunity for portraits in an empty room.
- Set times
- When each act plays. Essential if you are accredited for the support rather than the headliner.
- Curfew
- The time the venue must stop by, often a licensing condition. It is why sets end abruptly.
Conditions you will see written down
- First three songs, no flash
- The standard condition. Explained at length in what "three songs, no flash" actually means.
- No pit
- There is no photographer space at the barrier; shoot from the house.
- Approved use only
- Images may be used only for a stated purpose, often a named publication. Check before agreeing.
- Embargo
- A date before which images may not be published.
Common questions
- Is a photo pass the same as a press pass?
- Not necessarily. A press pass may cover interviews and general access; a photo pass specifically covers photographing the performance, usually with conditions.
- What does 'authoritative but unverified' mean for a contact?
- It means a link was found on the artist's or promoter's own public profile but nobody has confirmed it is monitored. Treat it as a good lead, not a guarantee.
- Do I keep copyright of my concert photos?
- By default yes, but a photo release can change that. Read any document you are asked to sign before the show, not at the door.
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